Subscribe to the re-imagined and fully digital 2020/2021 season.
If you can’t come to us, let us come to you.
We invite you to enjoy a re-imagined 2020/2021 season with us. At this time, the health and safety of our community, our audience, and our artists and staff come first. With this in mind, we have fashioned a season of six plays, exciting new work, insightful discussions, and much more, all of which can be enjoyed from the safety and comfort of home.
Subscribe today and your 2020/2021 digital subscription will include:
• Six plays available in video on demand format (much like we offered for Amadeus). Season includes: Talley’s Folly; Miss Bennet: Christmas at Pemberley; Twilight: Los Angeles, 1992; Yoga Play; Our Town; salt/city/blues.
• Exclusive Engage with Stage online access to conversations, interviews, and behind the scenes looks that invite you to take a deep dive into the season. (Available only to subscribers.)
• Priority access to available tickets when it becomes possible to safely resume live performance. (Note: Your health comes first. We will not reopen unless we can do so safely and we will strictly adhere to all protocols established by state and local officials and by Syracuse University. We continue to partner with Actors Equity Association, Syracuse University, and SUNY Upstate to develop and enact best practices for our field.)
Additional charge may apply for in person attendance.
COST: $184 FOR EACH SUBSCRIPTION
All you need is a valid email address and a device for viewing, such as a desktop, laptop, or iPad.
By Lanford Wilson
Directed by Robert Hupp
Available for streaming November 11-22, 2020
Kate Hamill (playwright and actor Pride & Prejudice) and Jason O’Connell (Salieri in Amadeus) star in Lanford Wilson’s 1980 Pulitzer Prize-winning Valentine of a play. On July 4, 1944, Matt Friedman, a 40+ accountant and in love for the first time in his life, drives 200 miles to the heart of Missouri Christian farm country to propose to Sally Talley, ten years younger and seemingly not interested. Having been met at the door by Sally’s shotgun toting brother—Jews not welcome here—Matt takes refuge in a Victorian folly of a boathouse on the nearby river, where Sally finds him. Cue moonlight and music (waltz, please), willows and woods. Can one enchanted evening change the course of two lives? Once upon a time—there was hope in the land.
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